This print making major from Boston and cofounder of the experimental publishing/printmaking project Apenest recently relocated to Santa Fe and wrapped up a 3 person show at NYC's 92Y Tribeca. He's also shown at Philly's Space 1026 and SF's Park Life. His paintings are simply distinct, unique, and refreshing. Brian has his own voice in an age when that always isn't common and a skill set that's beyond most. He's onto something that we're eager to follow. 25 years old and on a good path. We like this guy.
My name is Brian Willmont. I am living in dusty Santa Fe, New Mexico. I'm from Boston and went to the Massachusetts College of Art, majoring in printmaking.
Majored in printmaking, which almost meant "the works on paper department" there, and anything that held up against critique up was ok to do. It was a super small and tight major and a lot of the work was really good, I met Cody Hoyt there and started Apenest. We had a hangar sized print shop with our studios in it, with free reign and lots of shit went down.
Wasted youth, totally lost and really angry. I hung out downtown drinking beer, getting high, cheering on bum fights, and going to shows. I was probably one of the worst students in my high school but did great in art school, ha!
There is a whole lot of crap here, but also a couple good galleries and art spaces. My favorite things to see have been in the folk art museum and in meth heads yards along the highways. The people are tired or something, maybe it's the altitude
I often have a couple of ideas of where a piece might go before I start. I write down a lot of my ideas in notebooks and usually make my sketches directly on the paper. I try to work on a couple of pieces simultaneously so that I can take some time making decisions on one piece while I work on another.
Right now mostly gouache on paper, but I also make sculptures, bits and pieces, other kinds of painting, installation and whatever I think is awesome at the time.
A cyclical creation myth based on conquest, which plays as the primary creator and destroyer. Set off by and sucked into black ether thicker than mashed potatoes, I paint weirdo Americana choose your own adventure novels in acrid colors that bleed into one another, creating vividly patterned compositions bordering on decorative, which are designed to entrance the viewer (like a siren), disguising and distorting violence.
Awkward, loud, nasty, and a bit boisterous, I might call them "American Miniatures".
Looking at it again, my space it feels like a show celebrating loss and revenge. It was great to go to New York and see lots of friends I haven't seen in a while.
I came to the land of big skies, and turquoise a little over a year ago. I was looking to move somewhere cheaper than and totally different from Boston where I would have the space to breath and make art for a little while. The History of the west and all of the conflicts between American, Spanish, Mexican, and the many American Indian tribes is really interesting to me and integral to my understanding of our countries history, present and future. I've had family here ranching for 5 or so generations, so hearing my grandma's stories of the ranch and what it was like in the real wild west had intrigued me for a long time. Integrating these histories with my own is a way for me to personalize the American myth.
Oh, I don't live on a ranch, I live in a fake adobe house.
The ranch I mentioned is my uncle Gilbert's, he has cattle, it's on a giant canyon with the Canadian river at the bottom. He is 86 and has had so many back surgeries he can't ride a horse anymore, so last time I was there he had just got this 4x4 with a roll cage and we were getting air off cacti and generally it up. I will be back there soon.
Green Chile, the desert, my studio, it wasn't a state a hundred years ago, there are lizards in my yard, mountains that look like sleeping buffaloes outside of my window, outlaws, witches, cowboys + Indians, Old Man Gloom, Skin Walkers Etc.
We would probably go explore some ghost town or cave dwellings, swim in a canyon and go to El Santuario to collect sacred dirt. Pockets full of magic earth, we'd stop at El Parasol in Espanola, home of the low rider, for authentic New Mexican burritos for the drive to back to the city. Then we'd drink tequila and Q it up in the backyard and howl at the coyotes.
I work at an art gallery. It's my first time sitting down at a job, I have a desk. I've learned a lot and am grateful for the experience.
Everything. This is a great time to be alive.
Whenever I'm relaxed, anxiety is my productivity killer. I try to be in the studio most of the time that I am not working a day job, I work part time and usually get the most done on my days off when I can really get into it.
I drove to LA and back alone in January, that was fun.
Recently Electric Wizard, T Rex, a little Modern Lovers when homesick, Annihilation Time, The Showcase Showdown, Orange Goblin, Neil Young, Big Youth, Beirut, Os Mutantes, The Stones etc.
In the morning I deal with emails, run errands, and take care of Apenest tasks. Then I try to be in the studio until I cook dinner with my girlfriend and watch a show or movie, then I'm back into the studio till 1 or 2. If I went to the day job then the above schedule resumes at dinner. Sometimes I do something fun and call it "research".
Not especially, I ride my bike to work, but my job isn't nearly as physical as past ones.
I want a dog, but I think it's a bad idea for many more years.
Center Street Cafe in J.P., Boston, amazing food and you feel like family there. You always have to wait forever because it's tiny, but they give you coffee and pep talks when it's cold.
I pretty much wear a uniform of jeans and a hoodie with rotating t shirts made by me or someone I know, I don't like to think about it. I wear a button down at work now, It's kind of like being housebroken.
Mike Nason and some other folks are going to come to town in July for a western we're making. I'm really excited about this. I'm about to get started making sets, props and costumes. I think it'll be a real charge.
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